To the casual listener, VLUR might ‘just’ appear to write great doom songs with an avant-garde approach using elements from folk, classical music and free jazz. Those delving deeper into “Death Cult” will discover a singular dark world where ancient ritual becomes modern angst, a violin has replaced all guitars, and a multitude of fascinating lyrical and musical discoveries awaits. The third full-length of the Canadian trio from Toronto was partly inspired by a suggestion of human sacrifice that Tacitus relates in his book “Germania”. According to the Roman historiographer, the Germanic tribes of the Baltic Sea worshipped the earth goddess Nerthus by a mysterious ritual that ended with the drowning of four slaves. “I came to the realisation that this sacrifice to some never answering deity is a repeating cycle of people doing something that does nothing to solve real problems and only leaves dead people behind”, explains VLUR vocalist and bass player
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