It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvoin one of Hollywood’s great second acts. Those vibrant, synth-driven songs,made in collaboration with his son Cody Carpenter and godson DanielDavies, kickstarted a musical renaissance for the pioneering composer and director. In the years since, Carpenter, Carpenter, and Davies have released closeto a dozen musical projects, including a growing library of studio albums andthe scores for David Gordon Green’s trilogy of Halloween reboots. With LostThemes IV: Noir, they’ve struck gold again, this time mining the rich history ofthe film noir genre for inspiration.Since the first Lost Themes, John has referred to these compositions as”soundtracks for the movies in your mind.” On the fourth installment in theseries, those movies are noirs. Like the film genre they were influenced by,what makes these songs “noiri
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