Written and recorded between London and New York from 2019 to 2025, The Living Likeness Of My Electric Daemon finds MIRACLE, the duo of Steve Moore and Daniel OSullivan, at their most distilled and uncompromising.
Mixed by Moore and mastered by James Plotkin, the album unfolds as a ten-part song cycle navigating illusion and embodiment, ecstasy and annihilation, devotion and domination, the ancient and the algorithmic. The electric daemon is both an inner familiar and an externalized intelligence: the soul in the machine and the machine in the soul. The record asks not whether technology is sentient, but whether we are becoming its living likeness.
The albums artwork, created by Turner Prize nominee Mark Titchner, presents a cybernetic mutation of the classical Piet: Madonna and Jesus are rendered in rubbery black PVC-like material, segmented and articulated with zips, evoking devotion and corporeal fragility refracted through a synthetic,
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